| 期 |
标题 |
文件 |
| 编号 1 (2025) |
V. K. Trediakovsky’s Syntax in the Aspect of Some Trends in the Development of Russian Literary Language and Poetic Language |
(Rus)
|
|
Patroeva N.
|
| 编号 1 (2025) |
Contaminated Russian Speech of Eastern Natives — 20th Century Fiction Characters |
(Rus)
|
|
Streltsov A.
|
| 编号 1 (2025) |
Enjambement as an “Operator” of Irony in the Poetry of I. A. Brodsky |
(Rus)
|
|
Tumanova E.
|
| 编号 6 (2024) |
Structural-Semantic Analysis of Verbs and Nouns Representing Bird Vocalizations in M. Prishvin’s Artistic and Diary Heritage |
(Rus)
|
|
Abreimova G., Borodina N., Burtsev V.
|
| 编号 6 (2024) |
The Dog Who Tells Lies in Nikolai Gogol’s Comedy “Marriage” |
(Rus)
|
|
Korshunkov V.
|
| 编号 6 (2024) |
Ornithological Metaphor as a Means of Creating a Visible Image in the Poetic Battles of the Early 19th Century |
(Rus)
|
|
Potashova K.
|
| 编号 5 (2024) |
Family “passports” of N. V. Gogol's comedy “Marriage” |
(Rus)
|
|
Vinogradov I.
|
| 编号 5 (2024) |
The polysemy of the lexeme “bread” and its functioning in the Russian folk riddle |
(Rus)
|
|
Meshcheryakova O., Turko U.
|
| 编号 5 (2024) |
Scientific terms as a part of comparative tropes of modern Russian prose |
(Rus)
|
|
Nikolina N., Petrova Z., Fateeva N.
|
| 编号 5 (2024) |
Localization and pauses duration in Russian iambic tetrameter in the poetry of A. S. Pushkin |
(Rus)
|
|
Kruglova A., Smirnova O.
|
| 编号 5 (2024) |
“I desire to live and live... thousands of other lives”: multimythologism in I. A. Bunin’s onomastic code |
(Rus)
|
|
Selemeneva O.
|
| 编号 5 (2024) |
“Hunting to die looking at the epoch...” (On the “Shakespeare Sonnet” by A. Voznesensky) |
(Rus)
|
|
Fedotov O.
|
| 编号 3 (2024) |
“Thoughtfully and Meekly”. Behind the Line of Okudzhava’s Song “The Visiting Musician” |
(Rus)
|
|
Kulagin A.
|
| 编号 3 (2024) |
Poetics of Semantics’ Broadening. Notes on O. Mandelstam’s Vocabulary |
(Rus)
|
|
Surat I.
|
| 编号 3 (2024) |
On Some Errors in the Translation into Azerbaijani of Dostoevsky’s Novel “Devils” |
(Rus)
|
|
Taghiyeva M.
|
| 编号 3 (2024) |
Irony in the Epistles and Amphiguri of Antony Pogorelsky |
(Rus)
|
|
Terekhova M.
|
| 编号 3 (2024) |
The World Soul Monologue from the Play “The Seagull”: Toward the Issue of Transmutation Adequacy |
(Rus)
|
|
Chureyeva O.
|
| 编号 2 (2024) |
“Oh, You, That in Sorrow You Grunble Against God in Vain, Man!..” Functions of the Lomonosov Quote in N. V. Gogol’s Comedy “The Inspector General” |
(Rus)
|
|
Vasilyev S.
|
| 编号 2 (2024) |
“Composite formations” as a Stylistic Device (Based on the Material of D. I. Rubina’s Novel “Maniac Gurevich”) |
(Rus)
|
|
Dedkovskaya D.
|
| 编号 2 (2024) |
Catherine the Great’s Pastoral Comic Opera “Fedul and His Children” as a Cultural Pattern |
(Rus)
|
|
Testova N.
|
| 编号 2 (2024) |
Tyrannical Characters by A. N. Ostrovsky in View of the Primary Speech Genres |
(Rus)
|
|
Belova O.
|
| 编号 1 (2024) |
Lexic-semantic Representation of the Image of the Caucasus in the Works of M. Yu. Lermontov |
(Rus)
|
|
Kiseleva I., Potashova K., Ermakova A.
|
| 编号 1 (2024) |
Sound Metaphors in Vera Bogdanova’s novel The Season of Poisoned Fruit |
(Rus)
|
|
Sharapova E.
|
| 编号 1 (2024) |
Period in L. N. Tolstoy’s Novel “War and Peace” |
(Rus)
|
|
Shutan M.
|
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